Stephen King is definitely the Alfred Hitchcock of the literary world. It’s likely he could take an inner city phone book and turn it into a riveting novel. Mr. Mercedes isn’t a phone book, but it sure as hell ranks up there with some of Hitchcock’s greatest hits. In fact, one might say that Mr. Mercedes is King’s Psycho.
King rocks the suspense/thriller genres here. Taking a step away from the deeply supernatural fare he’s known for, he proves that he is, without doubt, one of the world’s top writers. That he continues to come up with fresh material and interesting stories is further testament to his prowess. But he doesn’t leave the horror out, either. In fact, there’s one scene that will be impossible to get out of my head, probably for the rest of my life.
Mr. Mercedes tells the story of retired cop, Bill Hodges, who has taken to heavy drinking and flirting with suicide night after night since he left the force. Before he left, there was one particular unsolved case that haunted him, and continues to do so months and years later. An unknown subject stole a Mercedes and rammed it into a crowd of hundreds of local unemployed people, killing eight and injuring many others. The perpetrator was never caught, and that is what bothers Hodges the most. When the killer reaches out and taunts Hodges in the hopes of pushing the overweight cop past the mental tipping point, it instead revives Hodges’ passion, and renews his intent to take Mr. Mercedes down, even if it’s the last thing he ever does.
Hodges sets out to bring a killer to justice, and in the process manages to fall in love and care about not only himself, but others as well. Especially his estranged daughter, whose absence from his life is one of his greatest failures. Now though, he seeks redemption, and believes he can only find it by catching the murderer. Along the way, Hodges gathers an odd, ragtag team of crime solvers: a school-aged neighbor kid who happens to be somewhat of a genius, and a bipolar woman who turns out to be an incredible asset, despite her mental challenges. This latter character might remind you of Chloe from 24. In another comparison, this team is very much like characters from The Drawing of the Three, volume two in King’s epic Dark Tower series. In young Jerome we find shades of Odetta, and in bipolar Holly we find pieces of Eddie Dean, the young heroin addict.
The antagonist, on the other hand, is one of the creepier King has ever put on paper. One might compare him to Pennywise the Clown, only without the makeup and killer smile. However, Pennywise’s evil intent is alive and thriving here. There’s even a vague reference in this book, as well as nods to several other King books.
Without giving anything away, it’s worth your while to take your time with this book, in spite of the overwhelming urge you’ll likely experience to zip through to the stunning conclusion as quickly as possible. King handles tension and horror as masterfully as ever and his character development is in tremendous form. We find ourselves rooting for the underdog protagonists, despite the many mistake both sides make that puts everyone’s lives in peril.
Mr. Mercedes is available in hardcover through Scribner and is the first in a trilogy centered on the murders that take place in this first episode. Finders Keepers, the second volume, is slated to be released in early 2015.